It could be a wonderful, rich, shared Hollywood experience for the people who want it: writing, producers working with writers, directors working with producers and writers, actors working with directors, all of it catered by someone who understands that garlic really upsets my stomach.
But it’s never easy at the grabby table. Because it’s all about the pie. For some reason, people want to hog down the whole thing, or hide the whole thing for later, or pretend there isn’t much of a pie so it can’t be shared. It’s disgusting.
I have worked for many years as an accountant in small, cable television production offices. The number one goal of the producers has always been to keep as much money for themselves as possible. Segment producers do not get writing credit, though they do almost nothing but research and writing. They often make $1200 per week. No chance of residuals. The producers would never think of giving them anything more. If a show gets a fee of $600,000 from a studio to produce one special episode, a pair of producers do their best to keep $300,000 for themselves, and then use the other half for the budget. When someone asks for a larger salary than $1200 (which is usually for at least a sixty hour work week) the producer responds, naturally, “There just isn’t that much money in the budget.” The segment producer (writer actually) glumly, yet feverishly works for $20 per hour in a very stressful, deadline oriented office. The two producers feel justified pocketing the $300,000 because they are in a high risk business and they need to protect themselves from ruin.
Therein lays the basis of producers’ greed: FEAR. They stockpile cash. They aren’t in this business to make glorious art. They are in this business (like brokers are in the securities trade) to amass cash for a safer, more opulent future.
There is so much money coming at producers. They skim and whine. I hope this WGA strike is grueling and bloody. This Halloween, I’m pulling up my ringside seat and I’m ready to hear all the “Boos”.
1 comment:
We have a strike looming here, too... For the Broadway Stagehands...
It's a whole different case of who the villain might be here, however...
Bean Counters are never fun to work with...
If I won the lottery, I'd be a very nice producer!
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