Eventually, the studio-network-satan complex (SNS) may commit, forever, to their feudal position and destroy the will of the WGA by no longer recognizing it as an institution. When you give all the power to a few very rich people, they feel they can do anything.
If this comes to pass, what could the union do? If the SNS goes rogue and ceases to recognize the WGA, then things become very interesting. Will new studios crop up that give writers better deals? Will small production companies form that will produce shows and then negotiate, per show, with the SNS for a pay scale depending on risk/star/time slot/economy?
Will narrative material cease to exist? Will people go back to spending much more time reading because all visual content is only visual? Will this be a boon to alternative film making? Improv? Juggling?
Like after the commercial strike of 2000, things will never be the same after this strike. The businessmen want to maximize profit, naturally. This is a bump in that direction. Writers, get ready. As the Chinese proverb/curse goes, “May you live in interesting times.”