Thank you, cousins, for providing this little article which tells the story of my Great Aunt Irene, whom we called Aunt Reeney.
I only ever knew her when she was in the wheel chair. The accident happened before I was born. She was the first person I knew who had something majorly wrong with her body. She got around fine in her chair. She had some caged birds as pets. She was a widow. She was exotic. And she was tough as hell. Her sister, my father's mother, was a much softer Dietrich.
Aunt Reeney was sharp and tart. You got the sense that no one would ever cross her. I think everyone was afraid of her? I don't know. But you certainly wouldn't think to do anything untoward or childlike in Aunt Reeney's house. She was sweet with cookies and candy. She was not at all self pitying. She had very long white hair and looked just a little like my grandmother, her sister. She was a hero. I can just imagine the day she tossed that baby carriage to safety and took on that oncoming car with both legs.
What is surprising is--I never knew my great grandfather had an ice business. Even more surprising is that it was cold enough to support that kind of business.
Read the little town newspaper story--written in 1983 about a time way before that. It's sweet. I guess clicking on the image to get it even bigger makes sense.
"I only have ice...for you."
Tuesday, January 14, 2014
Monday, January 13, 2014
The Unbearable Disorientation of Moving
Though the news is mostly good and we are looking forward to living on the Hudson in a quiet apartment, we have managed, in this maze of movement, to make some stupid mistakes because we are in new territory and off our centers.
1. I bought a ticket for a friend to see a play with us this past Saturday night. All excited to see her, I texted her a "See you at 6." She went, ?? I went, Tell me you're joking. She called. She isn't going to be here for two more weeks. I just mis-shoved her schedule. Years ago, I bought a plane ticket for a trip I was taking a week later than I purchased. There was no excuse for that one.
2. Relying on the A train has been completely fine and we get to midtown in 18 minutes and it is no big deal. We have done it often. However, on our way to a screening on Sunday evening with plenty of time to get to the lower east side, the A train took forever to show, went local, and only got us to Columbus Circle. By then, the Screening was about to begin. We had to bail, figuring it would be more rude to show up toward the end than to not show up at all. Nasty. And we really wanted to see this flick. We were very close to it. Disappointing.
3. I just went online to do the address change thing. I've done it before. The post office. It costs $1. I was scammed by some other unofficial site, which charged me $39.95. Now, I have to go fight with these numskulls, if not, too, cancel my credit card and start over.
Well, it's good...you lose your rhythm. It makes sense to lose it at a time like this. Humans. The new place is clean and we are about to pack up our rental.
Mistakes were made. There will be more. I think I left my shoes in the refrigerator.
1. I bought a ticket for a friend to see a play with us this past Saturday night. All excited to see her, I texted her a "See you at 6." She went, ?? I went, Tell me you're joking. She called. She isn't going to be here for two more weeks. I just mis-shoved her schedule. Years ago, I bought a plane ticket for a trip I was taking a week later than I purchased. There was no excuse for that one.
2. Relying on the A train has been completely fine and we get to midtown in 18 minutes and it is no big deal. We have done it often. However, on our way to a screening on Sunday evening with plenty of time to get to the lower east side, the A train took forever to show, went local, and only got us to Columbus Circle. By then, the Screening was about to begin. We had to bail, figuring it would be more rude to show up toward the end than to not show up at all. Nasty. And we really wanted to see this flick. We were very close to it. Disappointing.
3. I just went online to do the address change thing. I've done it before. The post office. It costs $1. I was scammed by some other unofficial site, which charged me $39.95. Now, I have to go fight with these numskulls, if not, too, cancel my credit card and start over.
Well, it's good...you lose your rhythm. It makes sense to lose it at a time like this. Humans. The new place is clean and we are about to pack up our rental.
Mistakes were made. There will be more. I think I left my shoes in the refrigerator.
Labels:
Home n Hearth
Thursday, January 09, 2014
Closed: Escape to Skunk Mountain
Je n'ai pas souvent Blogge sur ce sujet, mais: We have closed on our apartment up on the Hudson near the woods. You get superstitious going too public until it closes. Today was the day.
Last year, we almost bought a beast on Riverside at 107th. The banks were, well, a problem.
(Or they thought we were a problem? Either way--)
So in October of 2013 we went into contract on a sweet 1930s trapezoidal art deco romantic thing up near Fort Tryon Park in Hudson Heights, which is really just Washington Heights above the bridge but the realtors got creative...so now we are living there. In two weeks we shove off.
You get into real estate transactions and you sort of want to kill or die. When we bought our house in Los Angeles in 1998, I remember sitting in our apartment in Santa Monica, as the seller taunted us with a walk-away-fuck-you-I'm-gonna-foreclose attitude, and I got like an armadillo, curling up on the couch waiting for failure to pass. But it did not. It happened. Nice surpise. Then, after all the wanting-to-kill-the-guy, it turned out so sweetly. Best thing we ever did.
This time, it sort of dragged on because we bought from an older woman, M.W., who wanted to get through the holidays without disturbance. But we were impatient. And banks are still scary. But it worked out. Frustration at times, yes. But it was worth the wait.
The apartment entrance is right on the river but high on a bluff. So you get to have a Hudson experience whenever you go in or out. Which is romantic. And makes you wish the Dutch would trade in beaver right in front of you.
But this is the fun thing we learned at closing today. M.W. is a widow of the man who invented the magic peep hole. You see them all over the place. Why, there's even one of his magic peep holes in our apartment. He also had the patent for the lock down bar for apartment doors that used to be so prevalent in the 70's and 80's. But they illegalized them because people were burning in fires behind them, they were so good, and firemen couldn't break the doors down.
So let's hear it for the peephole.
Now, every time I go near that door, I will look at that magic peep hole and think of Mr. W., who is currently dead. We saw his urn. A plasticy/ceramic filigree thing that sat on shelves in the hallway with his name in calligraphy.
Hudson Heights is known for wildlife. There are hawks. There are skunks. There are humans. There is a flyway of birds from the edge of the river, across the top of Manhattan, to eastern trees. This is right outside our windows. But mostly: it is quiet. And right now, we need it to be quiet.
We'll be checking our magic peephole for disturbances. Do come visit.
Last year, we almost bought a beast on Riverside at 107th. The banks were, well, a problem.
(Or they thought we were a problem? Either way--)
So in October of 2013 we went into contract on a sweet 1930s trapezoidal art deco romantic thing up near Fort Tryon Park in Hudson Heights, which is really just Washington Heights above the bridge but the realtors got creative...so now we are living there. In two weeks we shove off.
You get into real estate transactions and you sort of want to kill or die. When we bought our house in Los Angeles in 1998, I remember sitting in our apartment in Santa Monica, as the seller taunted us with a walk-away-fuck-you-I'm-gonna-foreclose attitude, and I got like an armadillo, curling up on the couch waiting for failure to pass. But it did not. It happened. Nice surpise. Then, after all the wanting-to-kill-the-guy, it turned out so sweetly. Best thing we ever did.
This time, it sort of dragged on because we bought from an older woman, M.W., who wanted to get through the holidays without disturbance. But we were impatient. And banks are still scary. But it worked out. Frustration at times, yes. But it was worth the wait.
The apartment entrance is right on the river but high on a bluff. So you get to have a Hudson experience whenever you go in or out. Which is romantic. And makes you wish the Dutch would trade in beaver right in front of you.
But this is the fun thing we learned at closing today. M.W. is a widow of the man who invented the magic peep hole. You see them all over the place. Why, there's even one of his magic peep holes in our apartment. He also had the patent for the lock down bar for apartment doors that used to be so prevalent in the 70's and 80's. But they illegalized them because people were burning in fires behind them, they were so good, and firemen couldn't break the doors down.
So let's hear it for the peephole.
Now, every time I go near that door, I will look at that magic peep hole and think of Mr. W., who is currently dead. We saw his urn. A plasticy/ceramic filigree thing that sat on shelves in the hallway with his name in calligraphy.
Hudson Heights is known for wildlife. There are hawks. There are skunks. There are humans. There is a flyway of birds from the edge of the river, across the top of Manhattan, to eastern trees. This is right outside our windows. But mostly: it is quiet. And right now, we need it to be quiet.
We'll be checking our magic peephole for disturbances. Do come visit.
Labels:
Home n Hearth
Wednesday, January 08, 2014
Christie, Sung to the Tune of Misty
Look at Me
I’m as gentle as a sick pig in a tree
And I feel like I’m screaming really loud
Don’t you understand
It’s me, Christie, the king of the land
Walk my way
‘Cause no car can cross that bridge, I’ve had my say
Don’t compete with me, Fort Lee
Is it traffic, you fear
It’s me, Christie, just getting in gear
I’ll just say that I’m innocent, now
Sure, I shoved orange cones in your lanes
And look how rotten your traffic has grown
We smile when we cause you these pains
On my own
I won’t wander through this wonderland alone
Never knowing my right foot from my left
Can’t see below my heft
It’s me, Christie, and now you’re bereft?
On my own
Lost the chance for the big White House to call my home
Never knowing my right foot from my left
Just my mouth, and my ass
It’s me Christie, I'm toast, and I waste gas.
Look at me…
Labels:
War and Peace
Tuesday, January 07, 2014
Polar Schmortex
When I was a kid, we called this weather condition, "Winter."
It's not like we were made of tough stuff. Our feet got cold. Our noses froze. It was truly uncomfortable. But frankly, it was just how life was.
We never did not go outside because it was too cold. And it was this cold, at times.
Frankly, if you don't embrace what it is like outside, how can you really call yourself an existentialist or a person?
I felt compelled to be on the streets today. First, because I had a couple of things I had to do, but secondly, it seemed like the perfect day to get my hair done. My great stylist in Chelsea surely would have an opening on a day like today because people would be dropping like flies, afraid of a little weather. I could call last minute and get an appointment, and I did.
Then, naturally, Fred and I had lots of time to talk since everyone else was in hiding. He gave my hair extra sauce and spent over an hour sculpting it into something bobbed and not unsightly. A perk to the big freeze. Additionally, we got to know each other better. He was born in Italy, in the same province where my grandmother's family came from, Avellino. He said the place is loaded with crooks. He didn't charge me for the hair sauce and I gave him a large tip.
I came home and worked on this thing I'm working on for a couple hours and then humped out to Brooklyn for my Tuesday night writing extravaganza. Was it cold? Sure. Did I lose the tip of my nose? Not even close.
The news is making us afraid of things. And people use the weather as an excuse to fear life. I say--get the hell out of the house and get your hair cut! Or something. Put on your long underwear and an extra pair of wool socks and you'll frigging live.
I love when NYC is overrun with nature's desires. It brings people back to their basic selves. I fear that people fear revealing who they are, really.
Extreme weather can make you kind. And warm.
More vortexes. Sure. Anytime. We'll survive.
(As for my Northern Midwestern friends: Please stay inside and pretend you didn't read this.)
It's not like we were made of tough stuff. Our feet got cold. Our noses froze. It was truly uncomfortable. But frankly, it was just how life was.
We never did not go outside because it was too cold. And it was this cold, at times.
Frankly, if you don't embrace what it is like outside, how can you really call yourself an existentialist or a person?
I felt compelled to be on the streets today. First, because I had a couple of things I had to do, but secondly, it seemed like the perfect day to get my hair done. My great stylist in Chelsea surely would have an opening on a day like today because people would be dropping like flies, afraid of a little weather. I could call last minute and get an appointment, and I did.
Then, naturally, Fred and I had lots of time to talk since everyone else was in hiding. He gave my hair extra sauce and spent over an hour sculpting it into something bobbed and not unsightly. A perk to the big freeze. Additionally, we got to know each other better. He was born in Italy, in the same province where my grandmother's family came from, Avellino. He said the place is loaded with crooks. He didn't charge me for the hair sauce and I gave him a large tip.
I came home and worked on this thing I'm working on for a couple hours and then humped out to Brooklyn for my Tuesday night writing extravaganza. Was it cold? Sure. Did I lose the tip of my nose? Not even close.
The news is making us afraid of things. And people use the weather as an excuse to fear life. I say--get the hell out of the house and get your hair cut! Or something. Put on your long underwear and an extra pair of wool socks and you'll frigging live.
I love when NYC is overrun with nature's desires. It brings people back to their basic selves. I fear that people fear revealing who they are, really.
Extreme weather can make you kind. And warm.
More vortexes. Sure. Anytime. We'll survive.
(As for my Northern Midwestern friends: Please stay inside and pretend you didn't read this.)
Labels:
Momma Earth
Monday, January 06, 2014
The Colorado Wedge
When I was in Junior High, our neighbor went to visit
cousins in Colorado for a month in the summer and came back with stories about
how fun that Rocky Mountain State is and how lucky she was to go to an Eagles
concert and how everyone just drives around at all hours with no supervision
and is free and easy and, it seemed, sensual.
Unlike the burgh where we were living, where everything was
seasonal and planned and a bit oppressive, Colorado sounded amazing. But more
importantly, our neighbor seemed so fucking happy.
And I wanted a part of that. That looked good. It looked
free. It looked easy. It looked like a big relief.
It was, perhaps, my first experience with what someone feels
like getting to the Rockies and beyond and it
certainly had an affect on my desire to live out West.
Later on, in my early twenties, I met people from California and they were
calmer, more open, loosely exotic and what seemed to me, way less neurotic (at
least on the surface).
In general, these people were sensualists as opposed to
stuck-in-their-brainiacs. Surely, many of them were less interested in the
spiral geography of the arrondissements of Paris or the definition of a gerund. But who
the hell cares about gerunds when you could be riding around in your car with
the top down, with this satisfied feeling that heaven really is on earth and
there is no one who can put a stop to it.
Plus, people got high and no one thought it was wrong.
I hate to be some old duffer who can’t believe what’s going
on. But I kind of can’t believe it. I am very interested in how this is going
to play out in Colorado and soon, Washington and to see
what “hits 50” first. 50 states offering gay marriage or 50 states offering
Blue Dream and Sour Diesel.
Gay marriage is ahead.
Now. We’ll see.
I don’t know if marijuana really is less harmful than
alcohol. I don’t even know if we know how harmful string cheese is. I do know
that business wins and this weed thing is going to make a lot of people a
frigging Mount Shasta of money. It concerns
me. I do know that when you are high, you can barely read, but when you are
drinking, you can at least shoot off very coherent needy and/or nasty emails.
But what makes me happy is—there is a choice toward
sensuality in this country which is greatly needed. Besides the folks who
require marijuana for certain diseases, people also seem to need something to
stop their list-making worried minds from marathoning on that hamster wheel of
fear and obsession. And pot does stop that—and it does increase sensation. I do
think, though, that it would be great if we could increase sensation by simply
opening up to it, without the drug. But it’s legal now. And it’s going to get
more legal everywhere, so we all just better get as much empirical evidence as
we can, find out the down side to this drug, really, and do what makes sense:
live moderately.
Colorado, you big square state: Even though you don’t look
like it, you are the thin edge of the wedge and you’re so groovy, you don’t
even care what it means to the rest of us. And all I can do is smile for the
sensual libertarian joy the West brings to the nervous, ambitious, linear
college grads pumping it hard up and down the upper I-95 corridor. Balance.
We’ll find balance. Well, everyone except the Deep South .
But that would be asking for a miracle.
Sun, pot, cars, happiness. Sure. The American way. Enjoy
yourself. When do we invest?
Labels:
Social Studies
Monday, December 30, 2013
Large Lofty Mid-Town West Rent Stabilized Apt. No Fee. Under Market Rent ASSUME now for a FEB 1 Move In
Hello Friends,
We are breaking our lease here in midtown because we bought a place up near the Cloisters. But we LOVE this midtown Apartment and the management company is kind enough to let us either drop the lease or pass it onto someone else. So we figured---why shouldn't someone take advantage of this good deal in a great building? The details are below. Please pass this along to friends who are looking for a Feb 1 move-in.
The apartment is about $300 cheaper than market value.
$2470
888 8th Avenue. Apartment 5M (on the sixth Floor) between 52nd and 53rd
Elevator building
24 hour doorman
Brand new kitchen with full sized appliances. Marble black floor.
New bathroom in white marble.
Everything works perfectly.
The apartment is an L-Shaped alcove studio with the bathroom and kitchen making up the part that turns this large lofty box into this very L shape. So it is really a large rectangle with a kitchen and bath bite out of it.
It is 30 feet from the front door to the windows. It is 19 feet wide at its widest. When you walk in, it feels large. You never feel cramped. We had the choice to rent a one bedroom originally, but this place was simply larger.
It has a row of five windows. When you lie in bed, you look up at the sky. We call it, "Pudding in a cloud."
There are a ton of closets. A coat closet and a bank of closets (three doors worth) at the front. And then a bank of closets in the dressing area near the bathroom (another three doors worth).
Faces West. Full sun from noon until sundown. Great sunsets.
View of buildings and lots of sky across the street.
Blinds come with the apartment.
You control your heat and A/C like in a hotel with a knob.
24 Hour Laundry Room with two long banks of washers and dryers.
Completely renovated hotel-style lobby.
The staff never turns over and everyone is super nice. The management company is superb, reasonable and really care about the building in a great way.
No dogs allowed unless you beg the management. There are dogs in the building. I've never heard one bark.
The construction of the building is a BUNKER from 1967. Girders and Poured Concrete. You never hear a thing from another neighbor. You do hear sirens as they go by. If there is jack hammering in the neighborhood, you hear it...but we haven't heard any in two years.
There are no bugs. No exterminators in the building because there is nothing to exterminate.
There is a great exhaust vent in the kitchen so all your kitchen steam/smoke goes up there.
The building is friendly but also large enough that you can ignore everyone if you like.
Super close to Columbus Circle, so the park becomes a part of things.
24 hour Gristedes, Duane Reade, right across the street. And about 900 restaurants, as you know, because this is the edge of Hell's Kitchen. Plus, you can leave the apt. at 7:50 for an 8PM Curtain.
The convenience is great. This is a busy neighborhood with lots going on.
Trains: A,C,E, 1, N, R, Q, B, D
Again---super convenient.
MONEY:
No Fee
$2470 per month plus one month security.
Current lease expires end of December, 2014.
You assume the rest of our lease, beginning February 1, 2014 and then you can renew at the end of 2014. This is Confirmed.
Salary requirement: Using the 40XRent rule, you or you and your partner/spouse/roomie need to have a combined income of about 99K. And your credit should be good. You will have to get through these hoops with management to assume this lease.
The assumption of the lease, as mentioned, begins February 1, 2014.
However, whoever wants this apartment has to decide by about January 3, because of how this all works with management.
So jump if you want it.
Contact Don at dcummings1@gmail.com to see it.
Pics below are how it looks now.
It will be completely empty and will look more like the STOCK PHOTOS below of the building.
It is in good shape, but it will not be repainted, only touched up, if you assume the lease.
STOCK PHOTOS (These are NOT pics of the apartment...but how the apartment looks/feels as if it were empty. And some lobby pics.)
We are breaking our lease here in midtown because we bought a place up near the Cloisters. But we LOVE this midtown Apartment and the management company is kind enough to let us either drop the lease or pass it onto someone else. So we figured---why shouldn't someone take advantage of this good deal in a great building? The details are below. Please pass this along to friends who are looking for a Feb 1 move-in.
The apartment is about $300 cheaper than market value.
$2470
888 8th Avenue. Apartment 5M (on the sixth Floor) between 52nd and 53rd
Elevator building
24 hour doorman
Brand new kitchen with full sized appliances. Marble black floor.
New bathroom in white marble.
Everything works perfectly.
The apartment is an L-Shaped alcove studio with the bathroom and kitchen making up the part that turns this large lofty box into this very L shape. So it is really a large rectangle with a kitchen and bath bite out of it.
It is 30 feet from the front door to the windows. It is 19 feet wide at its widest. When you walk in, it feels large. You never feel cramped. We had the choice to rent a one bedroom originally, but this place was simply larger.
It has a row of five windows. When you lie in bed, you look up at the sky. We call it, "Pudding in a cloud."
There are a ton of closets. A coat closet and a bank of closets (three doors worth) at the front. And then a bank of closets in the dressing area near the bathroom (another three doors worth).
Faces West. Full sun from noon until sundown. Great sunsets.
View of buildings and lots of sky across the street.
Blinds come with the apartment.
You control your heat and A/C like in a hotel with a knob.
24 Hour Laundry Room with two long banks of washers and dryers.
Completely renovated hotel-style lobby.
The staff never turns over and everyone is super nice. The management company is superb, reasonable and really care about the building in a great way.
No dogs allowed unless you beg the management. There are dogs in the building. I've never heard one bark.
The construction of the building is a BUNKER from 1967. Girders and Poured Concrete. You never hear a thing from another neighbor. You do hear sirens as they go by. If there is jack hammering in the neighborhood, you hear it...but we haven't heard any in two years.
There are no bugs. No exterminators in the building because there is nothing to exterminate.
There is a great exhaust vent in the kitchen so all your kitchen steam/smoke goes up there.
The building is friendly but also large enough that you can ignore everyone if you like.
Super close to Columbus Circle, so the park becomes a part of things.
24 hour Gristedes, Duane Reade, right across the street. And about 900 restaurants, as you know, because this is the edge of Hell's Kitchen. Plus, you can leave the apt. at 7:50 for an 8PM Curtain.
The convenience is great. This is a busy neighborhood with lots going on.
Trains: A,C,E, 1, N, R, Q, B, D
Again---super convenient.
MONEY:
No Fee
$2470 per month plus one month security.
Current lease expires end of December, 2014.
You assume the rest of our lease, beginning February 1, 2014 and then you can renew at the end of 2014. This is Confirmed.
Salary requirement: Using the 40XRent rule, you or you and your partner/spouse/roomie need to have a combined income of about 99K. And your credit should be good. You will have to get through these hoops with management to assume this lease.
The assumption of the lease, as mentioned, begins February 1, 2014.
However, whoever wants this apartment has to decide by about January 3, because of how this all works with management.
So jump if you want it.
Contact Don at dcummings1@gmail.com to see it.
Pics below are how it looks now.
It will be completely empty and will look more like the STOCK PHOTOS below of the building.
It is in good shape, but it will not be repainted, only touched up, if you assume the lease.
STOCK PHOTOS (These are NOT pics of the apartment...but how the apartment looks/feels as if it were empty. And some lobby pics.)
THIS IS THE BUILDING and the LOBBY:
Monday, December 23, 2013
M.C.
Merry Christmas.
Be surrounded by the wise.
Be newborn.
Smell like fresh animals.
Enjoy the night.
Grab your virgin mother in bewilderment.
Make big plans.
Save the world.
Maybe this time it will work.
Be surrounded by the wise.
Be newborn.
Smell like fresh animals.
Enjoy the night.
Grab your virgin mother in bewilderment.
Make big plans.
Save the world.
Maybe this time it will work.
Labels:
Social Studies
Sunday, December 22, 2013
Aggression and Bags of Things
If you dare to the streets, the Saturday before Christmas in
New York City
is a day of survival.
After dehydration and populace attack, we were on the
elevator in our building, returning to our refuge. And like everywhere else, it
was packed.
Sometimes, you are emboldened in an elevator, when you are
fresh out of audience in your regular life and you have the sense of a
sympathetic crowd.
The elevator was filled with only men, straight it seemed,
in their thirties and forties. I had to test their agreement to a joke to my
husband, medium-loud for all to hear, in a measured tone that was admitting,
“I’m trying this out.” And here I went:
“If there is any doubt that women are as aggressive as men,
try to walk on the sidewalks of New
York with them and their shopping bags. They put
Kublai Kahn to shame.”
Full titters. No one thought I was the crazy guy with the
mouth. Complete agreement all around the elevator. We exited on the fifth
floor. A risk. And a success.
Ladies: Send me all the you-misogynist-fuck comments that
you want. But when you XX’s are on an adrenalin infused shopping jaunt, you are
simply a bunch of violent monsters. And all the guys think so.
And they are tired of it.
But they are also sort of sweet about it and laugh in
agreement and not with hatred because,
“Hey, these are the things we want to fuck.”
The truth is in elevators. Some stuff never changes. Sorry.
Labels:
New York
Thursday, December 19, 2013
I Just Want to Be Kind: Philomena
Friends,
I know it's hard to make a movie. And I think it is mean to be mean. So let's be kind.
First of all...Steve Coogan--groovy! You showed us you can act, seriously. You are handsome and expressive and you can play someone hard boiled and real. Fab.
Dame Dench, who the hell doesn't want to look at you? Always a pleasure.
But I have to say...this was a thin script. And if there was a point, I didn't get it. Now look---I like when things have all sorts of points or a loose point, or maybe even no-real-point-but-it's-a-good-ride. But I didn't see any evidence of any of that.
Philomena goes looking for her lost-to-adoption son. I can't reveal anything else because it would spoil the plot, entirely.
Evil nuns, of course, are the problem.
So far, for my time this year, I'm sticking with Gravity. Imax. 3D.
But if you are a Dench or Coogan fan, go for it. It got lots of audience awards at festivals.
http://philomenamovie.com/
I know it's hard to make a movie. And I think it is mean to be mean. So let's be kind.
First of all...Steve Coogan--groovy! You showed us you can act, seriously. You are handsome and expressive and you can play someone hard boiled and real. Fab.
Dame Dench, who the hell doesn't want to look at you? Always a pleasure.
But I have to say...this was a thin script. And if there was a point, I didn't get it. Now look---I like when things have all sorts of points or a loose point, or maybe even no-real-point-but-it's-a-good-ride. But I didn't see any evidence of any of that.
Philomena goes looking for her lost-to-adoption son. I can't reveal anything else because it would spoil the plot, entirely.
Evil nuns, of course, are the problem.
So far, for my time this year, I'm sticking with Gravity. Imax. 3D.
But if you are a Dench or Coogan fan, go for it. It got lots of audience awards at festivals.
http://philomenamovie.com/
Labels:
Stage and Screen
Wednesday, December 18, 2013
Proud to Be Irish? Or at Least 3/8? Taking Cultural Stock this Christmas Season
Good article here from 2007 about The Departed and how the Irish like to deflect serious emotions off themselves.
http://irishamerica.com/2007/06/the-last-word-freud-the-irish-the-departed/
Being 3/8 Irish, I get it. When things get slightly rough, I am happy to blow. When things get medium rough, I am more measured. When things get really rough, I want to do anything on earth to deflect the pain and misery of it all.
Of course, the other 5/8 of me plays into it, too...and can get the job done of expressing--
But the Irish thing is pretty strong. It is ultimately a romantic/lyrical culture and insists upon transcendence. I know I insist upon it. In fact, I am furious that the earth isn't a more musical, wordy, funny place. I crave these things like seals crave mackerel.
The 1/8 German side of me is sort of swallowed up.
The 1/2 Italian (with some French thrown in, way back) is so strangely pragmatic, it controls my list-driven life. Also, some of my Italian ancestors were Huguenots, refugees from France. So they have that sane, Protestant thing going on, making their earthbound practicality as non-other-worldly as possible.
This combination makes---a certain fatalism. And that fatalism is not joyous and optimistic. It is sort of sad and very aware of mortality. But thank goodness, the strong Irish blood says, "Stop it now. No more need to be maudlin. Forget all that. Go on up to the ring of cottages near the peat bog where they are having a good dance and a good laugh and sing yourself a song."
I think when you are built a certain way, that's what you have to do.
http://irishamerica.com/2007/06/the-last-word-freud-the-irish-the-departed/
Being 3/8 Irish, I get it. When things get slightly rough, I am happy to blow. When things get medium rough, I am more measured. When things get really rough, I want to do anything on earth to deflect the pain and misery of it all.
Of course, the other 5/8 of me plays into it, too...and can get the job done of expressing--
But the Irish thing is pretty strong. It is ultimately a romantic/lyrical culture and insists upon transcendence. I know I insist upon it. In fact, I am furious that the earth isn't a more musical, wordy, funny place. I crave these things like seals crave mackerel.
The 1/8 German side of me is sort of swallowed up.
The 1/2 Italian (with some French thrown in, way back) is so strangely pragmatic, it controls my list-driven life. Also, some of my Italian ancestors were Huguenots, refugees from France. So they have that sane, Protestant thing going on, making their earthbound practicality as non-other-worldly as possible.
This combination makes---a certain fatalism. And that fatalism is not joyous and optimistic. It is sort of sad and very aware of mortality. But thank goodness, the strong Irish blood says, "Stop it now. No more need to be maudlin. Forget all that. Go on up to the ring of cottages near the peat bog where they are having a good dance and a good laugh and sing yourself a song."
I think when you are built a certain way, that's what you have to do.
Labels:
Internal Memo
12 Years a Slave
You know, you can go on and on about it, but I did not love this movie.
It is ham fisted in its shooting and the acting is inconsistent among the slaves.
There is no question that slavery is bad. But then there's this problem:
There was a great differentiation made between a free man enslaved and a slave enslaved. And certainly, it would be awful to have lived a life of freedom and then have to be a slave. But wasn't it equally awful for all the all-life slaves? Or even worse, because they didn't even have a minute's freedom?
Also, as far as telling a story goes...there was no guess work here. Twelve years a slave. So, like, I guess it was twelve years, right? And then you sort of figure on year 13, it's over?
I don't want to feel guilty for not thinking this was such a great movie. My feeling is, I am terrified, horrified and made wretched at the thought of slavery. I am, like most everyone, in the anti-slavery camp. But this story was just about this poor enslaved non-slave just waiting for his chance to find someone who would help him get back to the non-slave that he was, while being surrounded by all these slaves. And he did. And that is great. And it's a true story. But shit, what else?
It is ham fisted in its shooting and the acting is inconsistent among the slaves.
There is no question that slavery is bad. But then there's this problem:
There was a great differentiation made between a free man enslaved and a slave enslaved. And certainly, it would be awful to have lived a life of freedom and then have to be a slave. But wasn't it equally awful for all the all-life slaves? Or even worse, because they didn't even have a minute's freedom?
Also, as far as telling a story goes...there was no guess work here. Twelve years a slave. So, like, I guess it was twelve years, right? And then you sort of figure on year 13, it's over?
I don't want to feel guilty for not thinking this was such a great movie. My feeling is, I am terrified, horrified and made wretched at the thought of slavery. I am, like most everyone, in the anti-slavery camp. But this story was just about this poor enslaved non-slave just waiting for his chance to find someone who would help him get back to the non-slave that he was, while being surrounded by all these slaves. And he did. And that is great. And it's a true story. But shit, what else?
Labels:
Stage and Screen
Thursday, December 12, 2013
Wednesday, December 11, 2013
Out of the Furnace
Let it be known, I grew up right next to those mountains that were loaded up with the descendants of Lenape Indians/Dutch settlers/Escaped slaves. It was called Stag Hill. Right on the NJ/NY border. We did call the people up in the mountains Jackson Whites. Sorry to offend. We didn't know there was even another name for them. We also did go to school with these lovelies, though I do think most of them went to Mahwah High. Lucky for me, I was a short order cook at the base of the mountain on Route 17, and the guys would come in all the time to talk, buy cigarettes, all that. They were not on a college track. They were unencumbered. Similar to all sorts of working, earthy people in the area.
It was pretty amazing, and still is pretty amazing, that they have this whole life going on up in those mountains right on the edge of a very dense suburban area just 28 miles from New York City.
http://www.nytimes.com/2013/12/12/nyregion/new-film-out-of-the-furnace-accused-of-stereotyping-ramapough-indians.html
My favorite image, and I tell it often: we used to hike up in the Ramapo Mounatins all the time, just north of Stag Hill, and you could get high enough that in the distance you would see the tip of the Empire State Building and then one day, I turned to my left, and there was a man in a mush-mouse hat, with a rifle, hunting for grub.
It's good to grow up on the edge. It's where certain things can happen that can't really happen anywhere else.
It was pretty amazing, and still is pretty amazing, that they have this whole life going on up in those mountains right on the edge of a very dense suburban area just 28 miles from New York City.
http://www.nytimes.com/2013/12/12/nyregion/new-film-out-of-the-furnace-accused-of-stereotyping-ramapough-indians.html
My favorite image, and I tell it often: we used to hike up in the Ramapo Mounatins all the time, just north of Stag Hill, and you could get high enough that in the distance you would see the tip of the Empire State Building and then one day, I turned to my left, and there was a man in a mush-mouse hat, with a rifle, hunting for grub.
It's good to grow up on the edge. It's where certain things can happen that can't really happen anywhere else.
Labels:
Social Studies
Tuesday, December 10, 2013
Let Me Eat Butter: Thursday at 8
| Hello Friends. I am reading this Thursday
evening, December 12 at 8, in Brooklyn, my original essay about moving to All details below. If you are free, come on over. If you are in the mood to read something---come even earlier (7:45) to sign up. Brooklyn Reading Works Presents: FEAST: share a poem or story about food, eat some soup, and raise $ for a local food pantry, all in one fell swoop at The Old Stone House December 12, 2013 8PM Your $10 donation will help support a local food pantry and includes soup, snacks and wine. Here's your chance to share a favorite poem, or to read something you've written about food and feasting. Bring a story, memoir, or a poem with food or feasting as subject matter, as metaphor, as inspiration. There will be an 8-minute time limit per reader, strictly enforced!!! Shorter is better!!! All it takes is one small poem shared!!! Soup will be served, plus wine, and in the spirit of the holidays-- Please bring COOKIES to share! Ken Carlton, author of The Hunger: A Story of Food, Desire and Ambition with the Chef of the Waverly Inn, will open the event with an excerpt from his novel Food for Marriage. Molly Gallentine whose work has been published in The Rumpus, CutBank, The New Delta Review, etc. will treat us to an excerpt of her meditation on Jello. Ame Gilbert, who runs PoetrySoup Salon, is organizing, cooking and hosting this event and will make it as smart, cozy and delicious as her monthly salons. DATE: December 12 at 8PM IF YOU PLAN TO READ: Please come at 7:45 so we can put you on the list. LOCATION: The Old Stone House, View Larger Map |
Labels:
Write-Paint-Score
Monday, December 09, 2013
Henry Miller in The Paris Review, 1961
During my senior year of college there was a slot available for anyone who wanted to present a workshop production of an original play. No one, not one other person, had any interest in taking the slot.
The second semester of my junior year, I studied in Paris, or more truthfully, had a great time taking Art History, Theater, German, Music Composition and Speech/Acting, a needed break from the other seven semesters of hard sciences with the occasional modern dance class thrown in. While in Paris, I made extra money busking in front of the Pomipdou and bravely played songs that I had written on the guitar. I sort of figured out I was a writer of some kind so when this slot opened up, I felt confident that I could write a play and I grabbed it. One of those seize-the-opportunity if it feels right kind of things.
I thought it wouldn't be a bad idea to take out a book on how to write a play. I had read most of the full length plays by Tennessee Williams, a ton of other plays, and had acted in a whole mess of them by that age, too. I looked in the card catalog for a book about writing. I looked up Arthur Miller and I went to the stacks and got the book by Miller, On Writing.
Lo' and behold, after reading about twenty pages, I thought, This doesn't seem like Arthur Miller. It's too out there or something. It's actually better than Arthur Miller. I felt more aligned with what I was reading than I ever had while boring down into Death of a Salesman.
Turns out, the book On Writing, was by Henry Miller. I mistook my Millers. I stole the book from Tufts and I still have it here on my book shelf. (I also stole some Williams and Pinter Collections---but long ago mailed them back.) I just couldn't give up my stolen Henry Miller and I feel like Henry would have liked that.
In the meantime, many years later, I am following The Paris Review on Twitter and here I run into the 1961 interview with Henry Miller. I find him very inspiring. Tropic of Cancer was one of the best things I've ever read.
I did write my first play for that slot. It was called Be Daring Now Miss Prism. It starred Corin Nelson, who became a television producer. And Beth Seriff, who became a television writer. Charlie Freeman made the papier mache oversized vegetables. He now does international work with China. The play was an absurd story about a disintegrating family. It was funny. The second act decayed into a dreamscape of circus types tormenting the remaining characters who did not die in a car crash in the first act. It was messy. But it was worth it.
I think the ballsy nature of Henry Miller was helpful, if not for structure, for verve.
Sometimes you make a mistake and it's a good one.
Read:
http://www.theparisreview.org/interviews/4597/the-art-of-fiction-no-28-henry-miller
The second semester of my junior year, I studied in Paris, or more truthfully, had a great time taking Art History, Theater, German, Music Composition and Speech/Acting, a needed break from the other seven semesters of hard sciences with the occasional modern dance class thrown in. While in Paris, I made extra money busking in front of the Pomipdou and bravely played songs that I had written on the guitar. I sort of figured out I was a writer of some kind so when this slot opened up, I felt confident that I could write a play and I grabbed it. One of those seize-the-opportunity if it feels right kind of things.
I thought it wouldn't be a bad idea to take out a book on how to write a play. I had read most of the full length plays by Tennessee Williams, a ton of other plays, and had acted in a whole mess of them by that age, too. I looked in the card catalog for a book about writing. I looked up Arthur Miller and I went to the stacks and got the book by Miller, On Writing.
Lo' and behold, after reading about twenty pages, I thought, This doesn't seem like Arthur Miller. It's too out there or something. It's actually better than Arthur Miller. I felt more aligned with what I was reading than I ever had while boring down into Death of a Salesman.
Turns out, the book On Writing, was by Henry Miller. I mistook my Millers. I stole the book from Tufts and I still have it here on my book shelf. (I also stole some Williams and Pinter Collections---but long ago mailed them back.) I just couldn't give up my stolen Henry Miller and I feel like Henry would have liked that.
In the meantime, many years later, I am following The Paris Review on Twitter and here I run into the 1961 interview with Henry Miller. I find him very inspiring. Tropic of Cancer was one of the best things I've ever read.
I did write my first play for that slot. It was called Be Daring Now Miss Prism. It starred Corin Nelson, who became a television producer. And Beth Seriff, who became a television writer. Charlie Freeman made the papier mache oversized vegetables. He now does international work with China. The play was an absurd story about a disintegrating family. It was funny. The second act decayed into a dreamscape of circus types tormenting the remaining characters who did not die in a car crash in the first act. It was messy. But it was worth it.
I think the ballsy nature of Henry Miller was helpful, if not for structure, for verve.
Sometimes you make a mistake and it's a good one.
Read:
http://www.theparisreview.org/interviews/4597/the-art-of-fiction-no-28-henry-miller
Labels:
Write-Paint-Score
Thursday, December 05, 2013
Midnight of My Soul
We're all adults here who stay up past midnight, right?
Today's quote:
In the 3AM of my soul, I am very joyous. It's the 11AM that needs some work...
Today's quote:
In the 3AM of my soul, I am very joyous. It's the 11AM that needs some work...
Labels:
Internal Memo
Wednesday, December 04, 2013
So Up in Arms
Why people are so freaked by change is beyond me.
Drones delivering my packages? Sure! Why not?
Or a 3D Printer making a sex surrogate for a distant relation who has severe garlic breath and a body of boils? Print it!
Self Driving Cars: Sign me up pronto.
High Speed Rail: Yesterday, please.
Nanobots that fix up my Kidneys? Where do I sign?
THC type drugs without the nasty dissolution of personality? Come on, The Netherlands!
Traveling around the world in less than an hour? I can't wait.
All this talk about going back in time for romantic reasons is just nuts. When? Before penicillin? Or when all women were basically slaves? Or how about during the Black Plague or the eve of The First Great War?
Stop it, please.
Give me the future. Let it be as technical as it wants. And if the kids all stop being able to recognize facial expressions, well...maybe what's really going on is--we no longer need those facial expressions to be recognized.
There is such a fear. Even when someone invents a new word, you hear a rumbling and a cawing of aggressive indignation.
I say--let math and science win. The rest of the time---spend on ethics. Whatever is left, make the most beautiful art, please.
I.M.H.O.
Drones delivering my packages? Sure! Why not?
Or a 3D Printer making a sex surrogate for a distant relation who has severe garlic breath and a body of boils? Print it!
Self Driving Cars: Sign me up pronto.
High Speed Rail: Yesterday, please.
Nanobots that fix up my Kidneys? Where do I sign?
THC type drugs without the nasty dissolution of personality? Come on, The Netherlands!
Traveling around the world in less than an hour? I can't wait.
All this talk about going back in time for romantic reasons is just nuts. When? Before penicillin? Or when all women were basically slaves? Or how about during the Black Plague or the eve of The First Great War?
Stop it, please.
Give me the future. Let it be as technical as it wants. And if the kids all stop being able to recognize facial expressions, well...maybe what's really going on is--we no longer need those facial expressions to be recognized.
There is such a fear. Even when someone invents a new word, you hear a rumbling and a cawing of aggressive indignation.
I say--let math and science win. The rest of the time---spend on ethics. Whatever is left, make the most beautiful art, please.
I.M.H.O.
Labels:
Social Studies
Tuesday, December 03, 2013
I Do Believe It's Getting Better
Every day, more people sign up for insurance...and it's getting cheaper. They say.
You can shove your numbers at me or shove the numbers wherever you need to.
The thing is, this thing is happening. Instead of going ape with lawsuits, why not try something else, oh Indiana and Oklahoma? Why not let your people get their pap smears and appendixes out and basal cell carcinomas removed and hearts restarted and go fight for something else?
Like babies. You all love babies. Why not go invent an imitation uterus so you can raise unwanted fetuses in the privacy of your living rooms? Like sea horses in an aquarium? When they're ready, you can take them out and give them away.
Or really get Jesus into your schools by making sure every poor person is cared for.
Or create jobs by hiring anyone at all to do anything.
Or spend some time with an excel sheet and let the government know how they can spend less money on defense.
Go do something. Anything. Instead of throwing sand in the gears. In the end, do you really want to be known as the sandman?
You can shove your numbers at me or shove the numbers wherever you need to.
The thing is, this thing is happening. Instead of going ape with lawsuits, why not try something else, oh Indiana and Oklahoma? Why not let your people get their pap smears and appendixes out and basal cell carcinomas removed and hearts restarted and go fight for something else?
Like babies. You all love babies. Why not go invent an imitation uterus so you can raise unwanted fetuses in the privacy of your living rooms? Like sea horses in an aquarium? When they're ready, you can take them out and give them away.
Or really get Jesus into your schools by making sure every poor person is cared for.
Or create jobs by hiring anyone at all to do anything.
Or spend some time with an excel sheet and let the government know how they can spend less money on defense.
Go do something. Anything. Instead of throwing sand in the gears. In the end, do you really want to be known as the sandman?
Labels:
War and Peace
Monday, December 02, 2013
Unsubscribe in 2014
I just spent an hour deleting crap-strewn emails in my inbox...because I hadn't been at my email, cleaning away, for the past six days...Thanksgiving and all.
We should not have to do that.
I hate to miss things. And all the garbage I get, I did at some point sign up for it. But now...slowly, I unsubscribe.
I think of all those years I lived before there were these interwebs coming at me. And I got so much more read. So much more written. So much more thought about. So much more time in my body and on the ground. Music. Etc.
Madness: Be gone.
I have to stand up to myself and be okay with missing stuff. Unsubscribing is the only way. My closets are next.
We should not have to do that.
I hate to miss things. And all the garbage I get, I did at some point sign up for it. But now...slowly, I unsubscribe.
I think of all those years I lived before there were these interwebs coming at me. And I got so much more read. So much more written. So much more thought about. So much more time in my body and on the ground. Music. Etc.
Madness: Be gone.
I have to stand up to myself and be okay with missing stuff. Unsubscribing is the only way. My closets are next.
Labels:
Family Footage,
Wired
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